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Eye of the Devil: Sharon Tate Breaks the Fourth Wall

Recently, on these pages, I wrote about Valley of the Dolls. A few oddly oriented cinephiles suggested that I pursue a brief ‘Sharon Tate homage’. And why not. Sharon Tate has become a cultural totem. Her grisly murder injected a lethal serum into the laid-back pop zeitgeist of L.A. circa 1969. Almost overnight, hippies weren’t seen as just passive tree-huggers… Read more →

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Valley of the Dolls Revisited: The Enduring Art of Awfulness

Article By I. M. Clarke Years ago, during a somewhat strained interview, I asked the director of a feature-length Canadian film why he’d said his work was destined to be a cult hit?  He replied that, after studying the most prominent cult films, he had compiled common characteristics and somehow melded them with his plodding narrative. Obviously, he missed the… Read more →